I have received your book “Caro Guido” and I wish to thank you.
Your work touched me, and I felt most deeply moved by many of the photos.
Gérard Bonnier
(Musée Nicephore Niépce)

Giuliano Ferrari adopts a documentary
style for his photographic narrative.
Using a sequence of lengthened, persistent, incorporeal poses,
he becomes an active participant in Guido’s tragedy.
He tells a detailed story that becomes an indirect
expression of society, adverse to any attempt to use the art form, an expression of the photographer’s apprehension and of the various degrees of its manifestation.
Enzo Carli
(photography critic)

I found these photos very moving.
Jean Luc Monterosso
(Maison Européenne de la Photographie Paris)